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The surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the media, but a work culture. The author also surveys US-millennials about their consumption of US TV and finds that both groups share the sense that American TV does not accurately reflect racial/ethnic relations in the US as they have experienced them. However, the groups differ on how much they think US TV has influenced their views on sex, smoking and drinking. America, As Seen on TV explores the surprising effects of TV on global viewers and the realities they and US millennials actually experience in the US.The surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the media, but a work culture. The author also surveys US-millennials about their consumption of US TV and finds that both groups share the sense that American TV does not accurately reflect racial/ethnic relations in the US as they have experienced them. However, the groups differ on how much they think US TV has influenced their views on sex, smoking and drinking. America, As Seen on TV explores the surprising effects of TV on global viewers and the realities they and US millennials actually experience in the US.
Television programs --- Television viewers --- Immigrants --- Television broadcasting --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Emigrants --- Foreign-born population --- Foreign population --- Foreigners --- Migrants --- Persons --- Aliens --- Audiences, Television --- Television audiences --- Television fans --- Television watchers --- Viewers, Television --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Electronic program guides (Television) --- Television scripts --- Influence. --- Sociological aspects. --- Audiences --- Television broadcasting - United States - Influence --- Immigrants - United States - Sociological aspects --- Television viewers - Sociological aspects --- Television programs - United States - Influence
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The Arab world is currently undergoing a radical media revolution, with the launch of numerous satellite and cable channels. The era of state-controlled media is coming to an end as privately-owned channels emerge. This book presents a comprehensive analysis of the broadcasting similarities and differences between Al-Jazeera, Al-Arabiya and Al-Hurra. It is distinct in its focus on both the discursive practices of these channels and the sociological aspects that contribute to their formation.
Television broadcasting --- Al Jazeera (Television network) --- Alhurra (Television network) --- Al-Arabia (Television network) --- Al Jazeera (Television network). --- Al-Arabia (Television network). --- Alhurra (Television network). --- Television broadcasting -- Arab countries. --- Journalism & Communications --- Radio & TV Broadcasting --- Telecasting --- Television --- Television industry --- Broadcasting --- Al-Hurra (Television network) --- Qanāt al-Jazīrah --- Jazīrah (Television network) --- Aljazeera (Television network) --- Al Jezeera (Television network) --- Al-Jazira (Television network) --- الجزيرة (شبكة تليفيزيونية) --- الجزيرة (قناة) --- الجزيرة (Television network) --- قناة الجزيرة --- ʻAnčhāsīrā (Television network) --- Al Jazeera Arabic (Television network) --- Jazeera (Television network) --- Jazeera Arabic (Television network) --- AJA (Television network) --- Mass media --- Television broadcasting - Arab countries
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Reality TV restores a crucial, and often absent, element to the critical debate about reality television: the voices of people who watch reality programmes.From Animal Hospital to Big Brother, Annette Hill argues that much can be learned from listening to audience discussion about this popular and rapidly changing television genre. Viewers' responses to reality TV can provide invaluable information to enhance our understanding of both the reality genre and contemporary television audiences.Drawing on quantitative and qualitative audience research to
Reality television programs. --- Television viewers. --- Mass communications --- Reality television programs --- reality-tv --- televisie --- 095
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Media critics invariably disparage the quality of programming produced by the U.S. television industry. But why the industry produces what it does is a question largely unasked. It is this question, at the crux of American popular culture, that Switching Channels explores.
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Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little.The Makeover is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. Katherine Sender argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. Sender, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows’ imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The Makeover intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward.
Mass communications --- Sociology of culture --- Reality television programs --- Makeover television programs --- History and criticism --- Makeover reality television programs --- Makeover shows (Television programs) --- Makeover television shows --- Reality-based television programs --- Reality shows (Television programs) --- Nonfiction television programs --- History and criticism. --- Reality television programs - History and criticism --- Makeover television programs - History and criticism --- Reality Television Programs --- Performing Arts --- LAW / Media & the Law.
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Star Academy, objet d’études universitaires, est-ce bien sérieux ? Les contributeurs à cet ouvrage, issus de différentes disciplines en sciences humaines, en ont fait le pari ! Fruit d’un travail mené dans la bonne humeur, ce livre n’a pour ambition ni de critiquer vertement Star Academy, ni d’en faire l’apologie béate : loin de tout jugement moral catégorique sur une émission de télé-réalité qui alimente divers fantasmes, les auteurs proposent la confrontation de regards croisés, un dialogue interdisciplinaire à partir d’un objet ludique et plutôt inhabituel pour eux. Les diverses contributions proposent une lecture de l’émission à partir des cadres de leur discipline : que peuvent dire de Star Academy l’anthropologie, la criminologie, le droit, l’économie, la psychanalyse, la science politique, la sociologie ou la statistique ? Prenant appui sur un objet matériel commun, l’ouvrage est donc aussi une introduction didactique à différentes disciplines des sciences humaines. A ce titre, il constitue un support original pour des enseignants, notamment de la fin du secondaire, soucieux d’éclairer les élèves des classes terminales sur les questionnements et les démarches de l’anthropologue, du criminologue, de l’économiste, du juriste, du psychologue, du sociologue, du politologue ou du statisticien...
Mass communications --- Sociology of culture --- Maatschappij --- Programmes de télévision --- Société --- Televisieprogramma's --- Reality television programs --- Télévision-vérité --- Television --- Television programs --- Social aspects --- Star academy (Television program) --- Télévision-vérité --- Reality television programs. --- Reality television programs - France --- Television - Social aspects - France --- Television programs - Social aspects - France --- Sociology --- Film Radio Television --- télé-réalité --- sociologie --- objet d’études --- science humaine
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On aurait pu supposer que la double vocation de la télévision, tout à la fois outil de diffusion au service de l'information, de la culture et du divertissement, et moyen de création central dans le paysage audiovisuel depuis les années 1950, la disposait à entretenir des liens privilégiés avec les arts, dans leur pluralité. Or, la réalité du phénomène télévisé est bien différente. Non seulement la télévision réserve peu de place aux arts dans les grilles de ses programmes, mais elle-même exploite et développe peu ses ressources créatives. Et puisqu'elle se tient à la marge de la sphère culturelle « légitime », rares sont les discours qui s'attachent à l'étude qualitative de la production télévisuelle qui est principalement abordée sous les angles sociologiques et historiques. Pourtant, ce constat général mérite d'être nuancé dès lors que le regard se porte précisément sur certaines réalisations, notamment les émissions consacrées aux arts, qui ont été et sont encore, à leur meilleur, des ferments privilégiés d'une réflexion sur les spécificités de la création télévisuelle et d'une pensée sur le rôle du média dans la transmission d'une certaine conception de l'art et de la culture. Nous avons donc choisi dans cet ouvrage de donner la parole à des auteurs et producteurs de films et émissions consacrés aux arts au cours de treize entretiens qui sont l'occasion d'aborder tant les aspects esthétiques des programmes, retenus justement pour la qualité et l'originalité de leur approche, que les aspects concrets de leurs moyens de production et de diffusion qui nous renseignent « de l'intérieur » sur les politiques de programmation des grandes chaînes et sur les ambitions de leurs concepteurs.
Television and the arts --- Cultural television programs --- Télévision et arts --- Émissions culturelles télévisées --- Arts --- Télévision --- Et la télévision --- Émissions culturelles --- Educational television programs --- Educational television programs. --- Television and the arts. --- France. --- Télévision et arts --- Émissions culturelles télévisées --- Et la télévision. --- France --- Film Radio Television --- cinéma --- télévision --- histoire des médias
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This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining 'Why Fiske Still Matters' for today's students, followed by a discussion between former Fiske students Ron Becker, Aniko Bodroghkozy, Steve Classen, Elana Levine, Jason Mittell, Greg Smith and Pam Wilson on 'John Fiske and Television Culture'. Both underline the continuing relevance of this foundational text in the study of contemporary media and popular culture.Television is unique in its ability to produce so much pleasure and so many meanings for such a wide variety of peop
Television programs --- Television and politics --- Popular culture --- Social aspects --- Television and politics. --- Popular culture. --- Social aspects. --- Television programs - Social aspects --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Television broadcasting --- Politics and television --- Political science --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Electronic program guides (Television) --- Television scripts --- Political aspects
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Est-il possible pour les héroïnes de Sex and the City de réconcilier féminité et féminisme ? Les déceptions amoureuses d'Ally Mc Beal traduisent-elle un modèle romantique à bout de souffle ? Reflet des évolutions de la société, la fiction américaine met en scène idéologies, fantasme de l'amour et conflits entre hommes et femmes. Passant au crible soixante années de fiction télé américaine, Céline Morin analyse les relations amoureuses et les inégalités de genre en ouvrant un dialogue avec les théories féministes et une sociologie de la conjugalité et de l'individualisme.
Héroïnes --- Personnages de télévision --- Femmes dans la culture populaire --- Séries télévisées --- À la télévision --- Thèmes, motifs --- Television series --- Women heroes on television --- Characters and characteristics on television --- Thèmes, motifs. --- Television --- Sociology --- sociology --- féminisme --- genre --- héroïnes --- séries --- télévision
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